Ink on paper.
144 x 144 in.
2020
Garden. (Location Intelligence Project.)
ESPACIO MINIMO (Location Intelligence Project.)
Dibujos realizados por aspiradoras Roomba a partir de su geolocalizacion. Estas aspiradoras utilizan la Inteligencia de localizaciones: es el proceso de obtención de una visión significativa de las relaciones de datos geoespaciales para resolver un problema particular. La capacidad de entender o aprender, o la posibilidad de aplicar el conocimiento para manejar el entorno. Cada aspiradora presenta un color diferente, por lo que me permite diferenciar las reacciones de éstas. El color presupone estructuras delimitadas, desmonta en la gráfica este comportamiento y los límites del espacio como creador de hábitos.
Drawings made by Roomba vacuum cleaners from their geolocation. These vacuums use Location Intelligence – it is the process of gaining meaningful insight into geospatial data relationships to solve a particular problem. The ability to understand or learn, or the ability to apply knowledge to manage the environment. Each vacuum cleaner has a different color, so it allows me to differentiate their reactions. Color presupposes delimited structures, dismantles this behavior and the limits of space as a creator of habits in the graph.
Ink on paper.
18 x 24 in.
2020.
NO MAN´S LAND
No man´s land. 2020. Installation. 50 banderas confeccionadas con papel de asfalto. / 50 flags made of asphalt paper.
Arte Laguna Prize
Final Exhibition
Venice
21.03 OPENING, 5 pm
22.03 – 13.04 EXHIBITION, 10 am – 6 pm
120 works from all over the world are the finalists of the 14th edition of the contest, giving a glimpse into the current state of international contemporary art.
The exhibition takes place in the prestigious spaces of the Arsenale of Venice.
Visual Instruction Division. 2018
Perforated photography
CONTEMPORARY VENICE 2019
CONTEMPORARY VENICE 2019
ITSLIQUID International Art Show
THE ROOM Contemporary Art Space | December 05, 2019 – January 10, 2020
Palazzo Ca’ Zanardi | December 06, 2019 – January 10, 2020
CONTEMPORARY VENICE 2019 focuses on the theme of IDENTITIES and on the relationship between man, society and contemporary cities, exploring the lifestyles and the ways of being that run on a parallel level of our ordinary life.
organized by ITSLIQUID Group
curator Luca Curci
in collaboration with Venice Events, Ca’ Zanardi
project manager Giulia Tassi
project coordinators Amaride Ferrante, Gaia Persichetti, Viola Persico
collaborators Siria Bottazzo, Ottavia Galatà, Ottavia Marilungo, Michela Mazzurana, Irene Scilipoti
graphic designer Fabio Murgolo
Location Intelligence
Dibujo realizado por aspiradoras Roomba a partir de su geolocalizacion. Intervencion en espacios privados donde se utilizan como limites para crear patrones de localizacion y pre diseño del área. La inteligencia artifical crea patrones de comportamientos para delimitar obstaculos. Estas aspiradoras utiliza la Inteligencia de localizaciones (también puede denominarse Inteligencia de ubicación): es el proceso de obtención de una visión significativa de las relaciones de datos geoespaciales para resolver un problema particular. La capacidad de entender o aprender, o la capacidad de aplicar conocimiento para manejar el entorno.
Drawing by Roomba vacuum cleaners based on their geolocation. Intervention in private spaces where they are used as limits to create localization patterns and pre-design of the area. Artificial intelligence creates patterns of behaviors to delimit obstacles. These vacuum cleaners use Location Intelligence (it can also be called Location Intelligence): it is the process of obtaining a meaningful view of geospatial data relationships to solve a particular problem. The ability to understand or learn, or the ability to apply knowledge to manage the environment.
Ink on paper. 292 x 172 cm. 2019.
Ink on paper. 107 x 210 cm. 2019.
Ink on paper.107 x 183 cm. 2019
Ink on paper.107 x 257 cm. 2019.
Death Trucks by Rigoberto Diaz Martinez
2019, VSW Press, 8×8 inches, 40 pages, saddle-stitched, open edition.
Death Trucks is a group of images ma in different areas of the United States that record the interiors of shipping trucks. Smugglers for the illegal trafficking of people have used these windowless semi-trucks, which can become lethal to immigrants who could overheat or be asphyxiated in the unventilated compartment.
Sanctuary City
Visual Studies Workshop
Project Space program from October 8-November 3, 2018
Rigoberto Díaz has created works that are largely about the physical trials of immigration. For his Project Space residency, Diaz will continue working on projects and with processes that he has been developing for several years and that need different cities for their culmination. In one he rides inside the trunk of a car while creating a form of documentation of different Sanctuary Cities. And his Death Trucks project is a series of photographs that are records of cargo trucks’ interiors from different areas of the United States. The so-called Death Trucks are those that are used for the illegal trafficking of people and can become a kind of gas chamber. The images capture the moment of being enclosed.
http://www.vsw.org/exhibition/sanctuary-city-by-rigoberto-diaz/
Death trucks
Fotografias tomadas con celular/ Photographs taken with a cell phone
White Maps.2018
Installation.
Arriar. 2018
Installation.
Visual Instruction Division. 2018
2018 Florida Biennial
artandculturecenter.org/biennial-2018
Opening Reception:
September 14, 6 – 9 pm
The 2018 Florida Biennial features 64 works by 30 artists who were selected by juror Sarah Fritchey from entries submitted to the Art and Culture Center/Hollywood. The exhibition opens with a reception from 6-9 p.m. on Friday, Sept. 14 with the announcement of awards for the Juror’s Pick and Honorable Mention. This ninth edition of the Center’s Juried Biennial received applications from 291 artists living in 85 cities throughout Florida. In all, juror Sarah Fritchey reviewed 2,050 works from artists working in any media. The 2018 Florida Biennial focuses on exploring multicultural identities, discussing ecological issues, and imagining a robust cultural climate for Florida within the global economy.
rigobertostudio.com 